Radu Jude’s Montage Experiments with Documents of Oppression and Mass Murder

A new article co-authored with Veronica Lazăr. It discusses critically the following films—short and feature-length—by Radu Jude: The Dead Nation (2017), The Marshal’s Two Executions (2018), Punish and Discipline (2019), Uppercase Print (2020), The Exit of the Trains (2020), Caricaturana (2021), Memories from the Eastern Front (2022), and The Potemkinists (2022). In four of them—The […]