A Slight Unease About Capitalism: Radu Jude’s „The Happiest Girl in the World” and the New Romanian Cinema

This new article co-authored with Veronica Lazăr – the second in a series built around the films of Radu Jude – discusses the aesthetics and the politics of the so-called New Romanian Cinema (a major post-2005 sensation on the international art-cinema circuit), succintly assessing its novelty in both a national and an international cinematic context. […]

The New Romanian Cinema in 10 sequence shots

  This is based on notes for a public talk given at Stanford University’s Center for Russian, East European and Eurasian Studies (CREEES), where I am a Fulbright visiting scholar until the end of January 2018. The talk was given in November 2017 at the generous invitation of CREEES Faculty Director Pavle Levi (Associate Professor […]