A Slight Unease About Capitalism: Radu Jude’s „The Happiest Girl in the World” and the New Romanian Cinema

This new article co-authored with Veronica Lazăr – the second in a series built around the films of Radu Jude – discusses the aesthetics and the politics of the so-called New Romanian Cinema (a major post-2005 sensation on the international art-cinema circuit), succintly assessing its novelty in both a national and an international cinematic context. […]

The NRC and Beyond: The Films of Radu Jude

An article that I co-authored with Veronica Lazăr has just been published in the journal Transilvania. It’s in English, it’s open-access and it’s the first in a series. It parses the major existing literature, in English and Romanian, on the New Romanian Cinema (also called the Romanian New Wave) which became an international film-festival sensation […]

Making Sense of the NRC: Three Perspectives (excerpt)

A new issue of Close Up is out (a Film Studies journal edited by the National University of Theatre and Film, Bucharest) and I have an article in it. The article provides a critical look at some of the academic literature produced in English, in the year 2017, on the subject of the New Romanian Cinema (or the Romanian […]

Two new books about the New Romanian Cinema

Monica Filimon, Cristi Puiu, University of Illinois Press, 2017; László Strausz, Hesitant Histories on the Romanian Screen, Palgrave Macmillan, 2017.   Monica Filimon’s Cristi Puiu is the first book in English about the film director and writer who did more than anyone else to redefine Romanian cinema in the 2000s. An assistant professor of English […]