An article in the „New Romanian Cinema” special issue of „Film Criticism”

11 octombrie 2017 · de Andrei Gorzo | în Critica de film, English, Istoria filmului, Noul Cinema Românesc, Regizori români, Teorie | etichetat 4 Months 3 Weeks and 2 Days, Alina Haliliuc, Amédée Ayfre, André Bazin, Andrei Pleșu, Annette Michelson, Aurora, “The Ontology of the Photographic Image.”, Beyond the Hills, Cahiers du cinéma, Christian Ferencz-Flatz, Corneliu Porumboiu, Costi Rogozanu, Cristi Puiu, Cristian Mungiu, Cristian Tudor Popescu, Dardenne, David Bordwell, direct cinema, Film Comment, Film Criticism, Frederick Wiseman, Jean-Pierre Dardenne, Jesse Schlotterbeck, John Cassavetes, Luc Dardenne, Lucian Maier, Marian Sorin Rădulescu, Maurice Merleau-Ponty, New Romanian Cinema, observational documentary, One Floor Below, Peter Wollen, Radu Muntean, Raymond Depardon, Roberto Rossellini, Roland Barthes, the ambiguity of the real, The Death of Mr. Lăzărescu, The Paper Will Be Blue, Tuesday after Christmas, When Evening Falls on Bucharest or Metabolism

The journal Film Criticism has a special issue on the New Romanian Cinema. It is edited by Alina Haliliuc and Jesse Schlotterbeck and features contributions by Chris Cagle, Anca Caramelea, Raluca Iacob, Marie-Louise Paulesc, Chris Robé, and Jennifer Stob. I have also contributed with an article: „In the Name of the ‘Ambiguity of the Real’: Romanian […]

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An article in the „New Romanian Cinema” special issue of „Film Criticism”