Notes on Harun Farocki’s and Andrei Ujică’s „Videograms of a Revolution” (1992)

This is based on notes for a talk given at Stanford University, at the invitation of Assistant Professor Srdan Keca from the Department of Art & Art History, in his Archival cinema class, in October 2017. Background: Romania in the state socialist era (1947-1989) At the end of World War II, Romania – just like […]